![]() ![]() What is common to each one is that they both seem to lionize violence. This part bears a striking resemblance to one of the most iconic scenes in “Joker,” where the main character, Arthur Fleck (or Joker), proceeds to calmly walk out of the subway tunnel while rioters proceed to brutally beat two detectives who were closely pursuing him. One of the most obvious visual parallels to Joker exists in the middle of the “Bad Habits” music video, when Sheeran is nonchalantly walking through a chaotic, conflict-ridden alley along with his posse. Through his fashion choices in the music video, perhaps Sheeran is subtly paying homage to the LGBTQ+ community and demonstrating support for Pride Month. ![]() Many of the men that also appear alongside Sheeran seem to be represented as the metrosexual type - all adorned with various styles of clothing and hair. Sheeran’s very presence in a presumably female-populated salon seems to subvert the stereotypes of men not caring about their appearance and of beauty being a feminine obsession. ![]() In addition to this connection, there is also an interesting portrayal of gender stereotypes in this particular scene. In “Joker,” however, the color of Joker’s cosmetics progressively becomes darker in order to echo his growing insanity and hostility toward upper-class society. Although they sport different hair colors and styles, both Joker and Sheeran don a bright, clean-pressed suit along with ostentatious makeup in order to echo their own unique persona.Īs the music video proceeds, Sheeran’s makeup gradually gets lighter and finally disappears in the end, essentially signifying the chaos dissolving both within himself and throughout the streets. Immediately, there is a distinct similarity between the film “Joker” and the music video. The “Bad Habits” music video opens with Sheeran sitting in a hair salon, dressed sharply in a head-to-toe hot pink suit, trading his distinct ginger hair for bleached locks and donning white fangs for teeth. The music video is also anything but formulaic - throughout, Sheeran flies around in the night dressed as a vampire.Īlthough Sheeran has admitted to drawing inspiration from the late-‘90s hit show “Buffy the Vampire Slayer,” the video also consists of several subtle sociopolitical messages and visual parallels to Todd Phillips’ “ Joker” (2019). Many fans were initially surprised as “Bad Habits” seemed to digress from Sheeran’s usual style of stripped-down acoustic melodies, instead encompassing more aspects of electronic music. 6 Collaborations Project,” is already hitting the charts all over the world. His new single “ Bad Habits,” his first new release since his 2019 album, “No. That Sheeran has trailed it as a “surprise” and “mad” tells you more about his innate populism than the song itself: it’s a well-written, extremely commercial pop song, cowritten by regular collaborators Fred Gibson and Snow Patrol guitarist Johnny McDaid, the latter of whom also had a hand in earlier Sheeran hits Shape of You, Photograph and Bloodstream.British-born singer Ed Sheeran has finally returned after his two-year hiatus from music. This is not a state of affairs that Bad Habits looks likely to change. He’s spent the last decade enjoying the kind of success that, in one sense at least, brooks no argument: even his loudest detractor couldn’t argue against his ability to write one song after another that attains a weird kind of omnipresence, hits that evolve into inescapable facts of daily life. Every track is immediately recognisable – you could have spent your every waking hour engaged in a dogged attempt to avoid the music of Ed Sheeran and you’d still know exactly what they were and who they were by within seconds of them starting. The “plays” column of the latter makes for mind-boggling reading: the figures look less like streaming statistics and more like long-distance phone numbers. Spotify has chosen to promote Ed Sheeran’s new single by sitting it at the head of a playlist of his previous hits. ![]()
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